From constantly refreshing the home pages of my favorite fashion sites to trekking down to the tents of David Pecaut Square for Toronto’s own collections, it seems that this so-called “month” is years long! Before we close our books on the Fall 2013 collections season, there is one more week to get excited about in Toronto–that is of course–[FAT] Arts & Fashion Week which took place last week in a beautiful warehouse in the up-and-coming arts neighborhood off Sterling Road in the west end.
under Vanja Vasic first put together an alternative fashion week while a student in Ryerson University’s Fashion Design program. I remember attending one of the first presentations, as my big sis happened to be showing alongside Vasic and her fellow students. The evening was a haphazard collection of musical performances, runway shows and modern dance–needless to say, FAT has come a long way since then.
Attending shows at Arts & Fashion Week reminds me why I love fashion. Vasic and her colleagues have created an incredible platform for unknown designers to present their collections in front of the fashion community, media outlets and supporters. I’ll admit to getting a bit misty-eyed as a group of high-school and first-year university students presented their designs as part of PACT Fashion, an organization founded byMake Den owner Irene Stickney which gives under-privileged youths practical skills and creative outlets. It’s organizations like PACT that make FAT what it is today–a community of creative minds working together to make fashion and design accessible to those who otherwise are forced to sit on the sidelines.
In today’s society people in rich countries are linked to people in poor countries through the commoditisation and consumption of what can be called fashion. In one area of the globe people are working long hours to produce things that people in another part of the globe are anxious to consume. The chain of production and consumption of Nike shoes is an example of this. The Nike shoes are produced in Taiwan and consumed in North America. In the production end there is the nation building a hard working ideology that leads people to produce and entices people to consume with a vast amount of goods for the offering. Commodities are no longer just utilitarian but are fashionable, be they running shoes or sweat suits.
Textiles in Indonesia have played many roles for the local people. Textiles defined a person’s rank and status and indicated being part of the ruling class. People expressed their ethnic identity and social hierarchy through textiles in Indonesia. The ikat textiles were also bartered for food by some people of Indonesia thus being considered economic goods. Textiles took on many different forms in the social custom and religion of the Indonesian people. Textiles were also a way to communicate religious messages as some motifs had spiritual religious meanings according to the local culture.
No comments:
Post a Comment